
Out of
England, the band was formed in November of 1967, (with intermittent
breakups, between 1967 to 1974. In recent years, the band has been
reconstituted at various points, and continues to perform). They
weren't always called Spooky Tooth, they were originally called "Art" and in 1967
they released an album under that name called Supernatural Fairy Tales, and
consisted of founding members : Mike Harrison, Greg Ridley, Luke
Grosvenor, and Mike Kellie.
After the release of that album in 67, the founder of Island Records,
Chris Blackwell introduced American Gary Wright to the members of Art.
They held a rehearsal together and Wright played a song he had written
called "Sunshine Help Me". He was invited to join the band and they
became Spooky Tooth. With a 2 lead vocalist concept they went to the
studio and recorded their first single "Sunshine help me".
Spooky
Tooth became firmly established in the "underground music scene" and
had a cult following in the UK and Europe, the USA would follow about a
year later.
In 1971 Blackwell talked the band into collaborating with French
electronic music composer Pierre Henry. Spooky Tooth agreed to do the
project as backing musicians and vocalists only.
It was to be a Pierre Henry project. However unknown to Spooky Tooth until
it was to late, Island Records released the album (Ceremony) as a
Spooky Tooth release with Pierre thinking he could ride on the success
Spooky Tooth had with their last album. Ceremony sucked shit and Spooky
Tooth split up because of it.
They would reform in 1973 with new members. In 2004 Harrison, Kellie,
and Wright got back together to do 2 reunion concerts in
Germany. A cd and a dvd were made of their performances. The cd is
titled "Nomad Poets" and is considered by many as the best Spooky tooth
recording ever. It contains material that spans their whole careers. It
was released in March 2007.
Spooky
Tooth has been a springboard for several spectacular careers : Greg
Ridey (died in 2003) / Humble Pie, Luther Grosvenor / Mott The Hopple /
Stealers Wheel, Mick Jones / Foreigner, and Mike Harrison and Gary
Wright's own solo careers.Spooky Tooth remains a legendary band today
whose music still inspires new and established artist.
In
1972 Luther Grosvenor joined Mott the Hoople. At that time Mott's
popularity had waned.
Luther
gave them the vibrancy and talent they needed just at the right time.
He soon became known as Ariel Bender and played on probably their best
known album - "The Hoople"
The
Ariel Bender Band - formed in 2005 - brings to you that vibrancy and
talent, performing all the hits from Mott’s repertoire.
The Lineup Over The Years
|
1967 - 1969
Mike
Harrison - keyboards, vocals
Gary Wright
- organ, vocals
Luther (Luke) Grosvenor
- guitar, vocals
Greg Ridley
- bass, vocals
Mike Kellie
- drums |
1969 - 1970
Mike
Harrison - keyboards, vocals
Gary Wright
- organ, vocals
Luther
(Luke) Grosvenor - guitar, vocals
Andy Leigh -
bass, vocals
Mike Kellie
- drums |
1970 - 1971
Mike
Harrison - keyboards, vocals
Chris
Stainton - organ
Luther
(Luke) Grosvenor - guitar, vocals
Henry
McCullough - guitar
Alan Spenner
- bass
Mike Kellie
- drums |
1972 - 1973
Mike
Harrison - keyboards, vocals
Gary Wright
- organ, vocals
Mick Jones -
guitar, vocals
Ian Herbert
- bass, vocals
Bryson
Graham - drums |
|
1973 - 1974
Mike
Harrison - keyboards, vocals
Gary Wright
- organ, vocals
Mick Jones -
guitar, vocals
Chris
Stewart - bass, vocals
Mike Kellie
- drums |
1974
Mike Patto -
keyboards, vocals
Gary Wright
- organ, vocals
Mick Jones -
guitar, vocals
Val Burke -
bass, vocals
Bryson
Graham - drums |
1998
Mike
Harrison - keyboards, vocals
Luther
(Luke) Grosvenor - guitar, vocals
Greg Ridley
- bass, vocals
Mike Kellie
- drums |
2004
Mike
Harrison - keyboards, vocals
Gary Wright
- organ, vocals
Joey
Albrecht - guitar, vocals
Michael
Becker - bass, vocals
Mike Kellie
- drums |
|
|
The
Unreleased Beatles details the incredible breadth of Music The Beatles
recorded but did not release, as well as film footage of the group that
hasn't been made commercially available. Beatles expert Richie
Unterberger examines a huge array of material, including unreleased
studio outtakes, BBC radio recordings from 1962-1965, live concert
performances, home demo recordings, fan club Christmas recordings, and
other informal demos done outside of EMI studios. The staggering wealth
of unreleased gems encompasses The Beatles' entire career, from a
recording the Quarrymen made on July 6, 1957 (aka “the day John met
Paul"), right up to outtakes from the final sessions of Let It Be in
1970. Also includes a general overview of Beatles bootlegs, their songs
recorded by other artists in the 1960s, never-recorded material, and
more than 100 photos. |
|